Estudiantina
Aires Andinos:
Citing Colombian Andean Aires, we are talking about the aisles, bambucos, vallenato walks, dances and guabinas. But before we can not fail to mention the character most representative of the municipality of Carthage, " City Talent." I am referring to Don Jesus Pedro Morales Pino Pascacio .
Pedro Morales Pino was born in Cartago, Valle del Cauca, Colombia, February 22, 1963 and died in Bogotá on March 4, 1926.
In the work of Pedro Morales Pino was crystallized the essence of the Andean Aires Hall, bambuco and dance, not only through good and inspired melodies, but with the right discernment of their inherent musical theory. This allowed him to spell his rhythms and enhance them in arrangements, a task that had eluded his predecessors. Improved performance practice of popular music, leading to an "orchestra " created for its implementation and in turn brought European music the typical set. This gesture, which even today is repeated anachronistic yearning for universal validation of a particular language, Pino Morales took the best example in the precise historical moment when the resolution of the issue musical nationalism was postponed. Much of what is done today in Colombia estudiantinas trios and should refer to the legacy of Morales Pino, not only for being the pioneer of this expression on a professional level, but by the almost insurmountable follower with which still competes in romantic imitation.
Centenarians generation of musicians (Emilio Murillo, Ricardo Acevedo Bernal, Fulgencio García, Luis A. Calvo, Carlos Escamilla, Alejandro Wills, among others), embroiled in a nationalist discourse that grew to cross borders of the years between 1920 and 1940, found in the work of Morales Pino, the paradigmatic example their efforts. In Morales Pino saw the origin and path of national music. His name was already legendary before she died, to the point that some almost forgot the country music prior to his compositions: the whole estudiantina type used by Morales Pino was imposed as the "traditional right" to play the Andean air country. Were dominated by the enthusiasm even nineteenth century imbued with nostalgia and extreme sensitivity to music and poetry. They had some reason to turn their eyes to the work of Pino Morales, he had achieved something unique and valuable. Put the Colombian traditional music in a position concert, touching it with the same technical demands of classical music, moved, and rightly, the air national scores set by versions of the same based on academic rules of composition.
For those who like Aires Andinos, is this combination of rhythms from different regions of Colombia, as reflected in the CBS LP No. 14 - 1664, 1983. The data sheet describes the titles, genres and / or rhythms and composers.
Special thanks to " Carlos " - a great friend and music lover Colombian - for bringing This LP of his personal collection.
Source: Text partially taken from:
Ellie Anne Duque, "Pedro Morales Pino." Colombian composer. Ellie Anne Duque and Jaime Cortés.eds-http: / / facartes.unal.edu.co / composers /
Koko of Peru
Link: http://www.megaupload.com/?d=C66THGRN
Aires Andinos:
Citing Colombian Andean Aires, we are talking about the aisles, bambucos, vallenato walks, dances and guabinas. But before we can not fail to mention the character most representative of the municipality of Carthage, " City Talent." I am referring to Don Jesus Pedro Morales Pino Pascacio .
Pedro Morales Pino was born in Cartago, Valle del Cauca, Colombia, February 22, 1963 and died in Bogotá on March 4, 1926.
In the work of Pedro Morales Pino was crystallized the essence of the Andean Aires Hall, bambuco and dance, not only through good and inspired melodies, but with the right discernment of their inherent musical theory. This allowed him to spell his rhythms and enhance them in arrangements, a task that had eluded his predecessors. Improved performance practice of popular music, leading to an "orchestra " created for its implementation and in turn brought European music the typical set. This gesture, which even today is repeated anachronistic yearning for universal validation of a particular language, Pino Morales took the best example in the precise historical moment when the resolution of the issue musical nationalism was postponed. Much of what is done today in Colombia estudiantinas trios and should refer to the legacy of Morales Pino, not only for being the pioneer of this expression on a professional level, but by the almost insurmountable follower with which still competes in romantic imitation.
Centenarians generation of musicians (Emilio Murillo, Ricardo Acevedo Bernal, Fulgencio García, Luis A. Calvo, Carlos Escamilla, Alejandro Wills, among others), embroiled in a nationalist discourse that grew to cross borders of the years between 1920 and 1940, found in the work of Morales Pino, the paradigmatic example their efforts. In Morales Pino saw the origin and path of national music. His name was already legendary before she died, to the point that some almost forgot the country music prior to his compositions: the whole estudiantina type used by Morales Pino was imposed as the "traditional right" to play the Andean air country. Were dominated by the enthusiasm even nineteenth century imbued with nostalgia and extreme sensitivity to music and poetry. They had some reason to turn their eyes to the work of Pino Morales, he had achieved something unique and valuable. Put the Colombian traditional music in a position concert, touching it with the same technical demands of classical music, moved, and rightly, the air national scores set by versions of the same based on academic rules of composition.
For those who like Aires Andinos, is this combination of rhythms from different regions of Colombia, as reflected in the CBS LP No. 14 - 1664, 1983. The data sheet describes the titles, genres and / or rhythms and composers.
Special thanks to " Carlos " - a great friend and music lover Colombian - for bringing This LP of his personal collection.
Source: Text partially taken from:
Ellie Anne Duque, "Pedro Morales Pino." Colombian composer. Ellie Anne Duque and Jaime Cortés.eds-http: / / facartes.unal.edu.co / composers /
Koko of Peru
Link: http://www.megaupload.com/?d=C66THGRN
