Wednesday, March 23, 2011

Bandage Dress Type Of Fabric

"Con Sabor Criollo" - Hermanos Martinez


"Con Sabor Criollo"
Los Hermanos Martínez:


In the previous publication " Necklace songs, we have reviewed on this great Colombian duo formed by brothers Jaime and Mario Martínez Jiménez, sons of Don Camilo Martínez, Santander highly respected musician.
The duo's heyday was in the 60's and 70's the next century past, along with other musical groups inside Colombia as Silva y Villalba, and its interpretations, one of the highlights was the song " Admiral."

Jaime was a violinist, guitarist and lead vocalist, Mario - a year younger - played treble and made the duo's vocals.

Among the many tributes received, it is noteworthy that the duet festival held in Floridablanca (Santander) has, for more than 10 years, the name "Festival of Duets Martinez Brothers." Both Jaime Martinez, like his brother Mario in music began long before the creation of the duet. Started integrating the group "Nocturnal Colombian " directed by master Oriol Rangel, then integrated " Teachers" which was also the organist Jaime Llano González, who alternated life. " The Martinez Brothers duet is an institution in Colombian music," says Carlos Gomez, a radio journalist for many years worked with them on Radio Santa Fe, in programs dedicated to spreading the music inside. arrived in Bogotá, still unknown. His first teachers were his parents and uncles. They had a guy with great musical ear priest who used to fix a lot and walked them hard. In fact, his father was a music teacher Santander. "Gomez added that the duo has always had a penchant for songs of Joseph A. Morales (like" Necklace songs), but also performed many compositions of Jorge Villamil (as The old farm, "" The Cedral "), Arnulfo Briceño, Adrian Salas, Carlos Vieco and Carlos Martinez. For years they were the whole plant and reached Santa Fe Radio work also Radio New Granada.

Published: eltiempo.com - Section Culture & Entertainment - Release Date - February 23, 2010.

LP " Con Sabor Criollo" - Hermanos Martínez, 12 tracks of Colombian folklore. IES Sonolux seal 13 to 905. Titles, rhythm and composers in the attached sheet.

Special thanks to " Carlos " for having made this LP of his personal collection. Koko

of Peru

Link: http://www.fileserve.com/file/YAHDEgF

How Do I Get With Amilf

"In Colombia With Love" - \u200b\u200bJaime Llano Gonzalez, Body & Ensemble


" In Colombia With Love"
Jaime Llano González, organ and whole:


Jaime Llano González. Colombian composer and musician (b. Titiribí, Department of Antioquia, Colombia, July 5, 1932). It is one of the country's leading organists in the twentieth century. Interpreter

popular music, primarily the organ. How to get there was characterized by the spirit of his music to every corner of Colombia, debuting permanently with their interpretations, and for not having had virtually no competition in their profession.

His particular style marked a new era in radio and especially on Colombian television, until the latter half of broadcasting the Llano González favorite music was relegated to the background. The teacher was essentially " bambuquero " or bambucos interpreter, his favorite genre.

Some of his works
• "If I see you again"
• "Pride carrier"
• "coup de grace"
• "nite."

has about 70 more, song rhythms, hallway, bambuco and other national airs, solo, without recorded works with trios, duets and groups also have about 30 works on compact disc.

Credits:
earned many awards in their foreign tours in the United States, Central America, South America and Europe. Nationally won practically all the decorations available on their land: Order of the carrier, the Star of Antioquia, Antioquia's Axe and other cities, plus Applause Award and the Cross of Boyaca, the highest honor of the Republic of Colombia.

Its value is that, to adapt and to perform any work, it does not lose its original meaning, despite being executed in the body, thanks to their knowledge of musical airs. His mastery of this instrument consolidates as the most recognized performer on the electric organ of Colombian folk music. You are hereby

- respectable visitors - who are invited to enjoy this selection of 12 tracks through the typical Colombian Jaime Llano González great the body and set " A Colombia with Love" - \u200b\u200bLabel Sonolux 01 ( 0131) 01 070. Titles, rhythm and composers in the data sheet. The covers have been restored be partially deteriorated slightly.

Special thanks to "Carlos" - a great friend and music lover Colombian - for bringing this LP of his personal collection which shows his generous detachment and an immense love for the land of his birth.

Source: Wikipedia, the free encyclopedia. Koko

of Peru

Link: http://www.megaupload.com/?d=D0LN4D2S

Tuesday, March 22, 2011

Career Training Loans Tax

Everardo Ortiz, his piano and rhythms - Lecuona's music Trio Los Brillantes


On the great Cuban composer Ernesto Lecuona the Mr. Juan Angel , initiator of this blog, in previous input data placed quite extensive.

As the interpreter of this album, pianist Everardo Ortiz, unfortunately did not find any information, since neither in the back of the LP came a comment, just propaganda from other LP's from the record company. So yes, as found on the Web we can realize that the teacher Ordaz has several recordings.

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Sunday, March 20, 2011

Dragon Ball Bulma Dojinshi





Trio Los Brillantes.

Dear friend, dear friend: To talk about music trios in Ecuador , it must certainly speak of Trio Los Brillantes, one of the most representative trio of romantic music of the genus Ecuador triplets, which is characterized by its two male and female voices.
By 1962, Olga Gutierrez, Argentine-born woman with an exquisite voice, along with Homer Hidrobo, Hector Jaramillo and Eduardo Erazo, formed the quartet "The Four Bright ", who had an excellent season in our country. (Mexico)
Back in Ecuador, Eduardo Erazo left the quartet are now so if, as the "Trio Los Brillantes"
We know how difficult it sometimes staying together, and in 1966, Homer Hidrobo separates the trio.
After a dedicated and hard search, Olga and Hector invite Victor Galarza to form the trio.
With the three members mentioned perform a triumphant tour from U.S. to Argentina, achieving international fame alongside the likes 'Los Panchos',' Los Tres Diamantes including trios and recognized reputation and quality.
canopies of large theaters, awards, trophies, medals, diplomas, honors, as well as the recordings you hear today to testify were representatives of Ecuador art in the world, with them the trio Ecuador 'The Ambassadors' have been the only ones in this line have played brilliantly in this country.
The Victor Galarza teacher is now regarded as one of the best (maybe the best) refinement of Ecuador , knowledge on vocals, harmonies and impeccable skill to press the fife so assert.
The trio, again running out of an item: Victor Galarza is who now leaves his place being taken by Naldo Campos.
Now it's our good friend and colleague, Mr. Mauro A. Jury Tobon, who from the beautiful Medellin, Colombia, send us this work took on a recent trip to Ecuador , where as every good music lover, I could not stop walking around looking for stores of vinyl, I hope your liking. He brought
: Mauricio A. Jury Tobón
collaborated: Luis loboster

http://www.4shared.com/file/MXRSu-cD/LOS_BRILLANTES_-_DISCO_DE_ORO.html

Wednesday, March 16, 2011

Gift Card Shower Invitation

"Necklace of Songs" - Hermanos Martinez Clara Nunes



"Necklace of Songs"
Hermanos Martínez:

Los Hermanos Martínez is the name of a Colombian duo of Santander formed by brothers Jaime and Mario Martínez Jiménez.

Throughout his career have recorded about 30 albums.

Credits:

addition to a gold record for his album "The Guaduales ", the duo has received numerous special awards throughout its existence, given by various Colombian institutions:

• Order Bunde.
• Best musical duet of Colombia.
• Golden Pharaoh Tiple
• Award worthy citizen. • Mono Núñez
Award.

Colombian music is mourning has been another big Colombian Andean music, the teacher Jaime Martinez, Member of the Martinez Brothers Duet. Jaime Martinez was the lead vocalist of this duo, was born in San Gil, 25 October 1935, guitarist par excellence, and a musical family heritage North Santander. Los Hermanos Martinez began to make history in Colombia is 52 when she formed the duo, with the soprano vocals and his brother Mario, have distinguished themselves by making recordings of teachers José A Morales and Jorge Villamil. Jaime Martinez and Mario started in music long before the creation of the duet. Nocturnal them included Colombia, led by maestro Oriol Rangel, highlight the important action with the teacher Jaime Llano Gonzales. According to Dr. Albero Borda Carranza, Director of Culture of Cundinamarca Department, and director of the Colombian Music "ABC Colombia Love."

Jaime's death is marked by a very deep sadness and left an immense void Colombian music in our beloved, Jaime had a rich musical soulful, stood out for being a great doctor, with his death Colombia loses a member of one of the most important duos who followed the path of Garzón y Collazos. The brothers have received numerous awards, among which we highlight: Order of Bunde, Best musical duet of Colombia, Tiple Pharaoh Gold Award worthy citizen, Mono Núñez Award. In 2007 he paid tribute to "The Story of a soprano and violin, the duet, during his 50 years dedicated to the dissemination of folk, with a concert attended by the duo consisting of Jaime and Mario Martinez, Jaime Llano González, Ruth Marulanda, Teresita Gomez, Jaime Moreno, José Luis Martínez, Mario Martínez Pinzón Cuevas Enrique Collazos and Henry, among others. Jaime Martinez died in Bogotá has 74 years of age, following a heart attack suffered weeks ago.

By: Carlos Amaya. Cadena Super Producer of Colombia

• July Torres Valdivieso (2005). HISTORICAL VIEW OF MUSIC IN THE TWO Santanderes. Composers and performers. Bucaramanga, Colombia: (Sic) Editorial. 958-708-144-7.
From Wikipedia, the free encyclopedia.

LP "Necklace of Songs", Hermanos Martinez - 10 tracks, Columbia Seal 14464712. Titles and composers, on the attached sheet. The covers have been repaired by the bad state in which they were.

Special thanks to " Carlos " - a great friend and music lover Colombian - for bringing this LP of his personal collection. Koko

of Peru

Link:
http://www.megaupload.com/?d=W4W1Y4DR

Para Que Sirve Acer Arcade Deluxe

Mestiço



Clara Francisca Pinheiro Gonçalves , better known as Clara Nunes , (August 12, 1943 - April 2, 1983) was one of Brazil's most popular singers in the country, died prematurely because of an anaphylactic shock in 1983 and recognized as one of the most important singers in Brazilian sambas.

Clara Nunes ,

http://es.wikipedia.org/w/index.php?title=Clara_Nunes&oldid=37896853 (last visited November 22, 2010).

I recommend Peixe com coco.

Vale Dr. Luis Felipe Escarza

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Monday, March 14, 2011

Body Wraps While Breastfeeding

Estudiantina Aires Andinos



Estudiantina
Aires Andinos:

Citing Colombian Andean Aires, we are talking about the aisles, bambucos, vallenato walks, dances and guabinas. But before we can not fail to mention the character most representative of the municipality of Carthage, " City Talent." I am referring to Don Jesus Pedro Morales Pino Pascacio .

Pedro Morales Pino was born in Cartago, Valle del Cauca, Colombia, February 22, 1963 and died in Bogotá on March 4, 1926.

In the work of Pedro Morales Pino was crystallized the essence of the Andean Aires Hall, bambuco and dance, not only through good and inspired melodies, but with the right discernment of their inherent musical theory. This allowed him to spell his rhythms and enhance them in arrangements, a task that had eluded his predecessors. Improved performance practice of popular music, leading to an "orchestra " created for its implementation and in turn brought European music the typical set. This gesture, which even today is repeated anachronistic yearning for universal validation of a particular language, Pino Morales took the best example in the precise historical moment when the resolution of the issue musical nationalism was postponed. Much of what is done today in Colombia estudiantinas trios and should refer to the legacy of Morales Pino, not only for being the pioneer of this expression on a professional level, but by the almost insurmountable follower with which still competes in romantic imitation.

Centenarians generation of musicians (Emilio Murillo, Ricardo Acevedo Bernal, Fulgencio García, Luis A. Calvo, Carlos Escamilla, Alejandro Wills, among others), embroiled in a nationalist discourse that grew to cross borders of the years between 1920 and 1940, found in the work of Morales Pino, the paradigmatic example their efforts. In Morales Pino saw the origin and path of national music. His name was already legendary before she died, to the point that some almost forgot the country music prior to his compositions: the whole estudiantina type used by Morales Pino was imposed as the "traditional right" to play the Andean air country. Were dominated by the enthusiasm even nineteenth century imbued with nostalgia and extreme sensitivity to music and poetry. They had some reason to turn their eyes to the work of Pino Morales, he had achieved something unique and valuable. Put the Colombian traditional music in a position concert, touching it with the same technical demands of classical music, moved, and rightly, the air national scores set by versions of the same based on academic rules of composition.

For those who like Aires Andinos, is this combination of rhythms from different regions of Colombia, as reflected in the CBS LP No. 14 - 1664, 1983. The data sheet describes the titles, genres and / or rhythms and composers.

Special thanks to " Carlos " - a great friend and music lover Colombian - for bringing This LP of his personal collection.

Source: Text partially taken from:
Ellie Anne Duque, "Pedro Morales Pino." Colombian composer. Ellie Anne Duque and Jaime Cortés.eds-http: / / facartes.unal.edu.co / composers /

Koko of Peru

Link:
http://www.megaupload.com/?d=C66THGRN

Friday, March 11, 2011

Cost Of A Jcpenney Hair Cut

duo Olmedo Torres and Juan Naranjo - Quito ... Quito ...



Olmedo Torres, Alma The Saxo

In the decade of 1970, "The crazy pace" thrilled the audience did Quito. The songs: The Green Ribbon , Cumbia sad , among others, acquired a special feeling in the melody sax Olmedo Torres. Since then, Torres recorded a hundred LPs and later, two CDs, making it one of the most recorded artists in Ecuador has done.

Thursday March 4, 1999, Olmedo Torres, known in the art world as The soulful sax, died at age 73, after suffering a heart attack.

This musician was born in Cuenca in 1926. In the capital of the province of Azuay studied music at the Conservatory. His career, devoted to the interpretation of popular music and national, grew with his talent and charisma.

addition to being a good musician and close friend, was also a harsh critic of the difficult situation in the Ecuadorian artist. That fact always preferred to travel to the United States, where, he believed, it is better for artists, valued for their capacity. There is a fairer recognition.

One of the best

Miguel Venegas, director of the Professional Artists' Association of Pichincha, said Olmedo Torres was one of the best saxophonists in Latin America. "After Julio Jaramillo recalled , Known as Mister Oath was who recorded the most albums. Torres was a passenger of the most representative figures of yesteryear who had Ecuador, and also the new values \u200b\u200bof Ecuadorian song, "said the leader.
Guild
As artistic director, Miguel Venegas regretted that musicians of the value of Olmedo Torres who devoted his life to culture, to die without any state support, "Olmedo died in abject poverty," he said.

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Monday, March 7, 2011

Regular Condoms Vs Magnum

The Black


Salvador " The Black "Ojeda

Salvador" The Black " Ojeda died yesterday morning at his home in Coyoacan . With more than six-decade career, he taught generations of troubadours, soneros, rumba ...

The artist, 80, "was a melting pot, a syncretism of deities and symbols, that was The Black for me," the singer called David Haro Veracruz, a friend of chilango birth, though rumba, jarocho and troubadour at heart, as he himself appointed.

"The Black Ojeda, one is in itself a living are said Haro, suffered from a longstanding lung bronchitis, but nothing could stop him. If I had not done music I would have died, as easy as it said on occasion Ojeda, a pillar in the rediscovery of popular music of our country and master many of singer-songwriters, who saw in him a kind of patriarch.

was all great, great friend, artist, teacher and an old, any mother. It really hurts. I spent much time with him and that was very pleasing. He sang as few, as he took a song that became something else, usually better, and that is the great virtue of an interpreter, said the singer Rafael Mendoza, another near the Black , who influenced him.

Music, healing

"The Black" considered that music is healing for mankind. That's all up to me. Me out of the most horrific depressions, once said in these pages. That the experience had marked him was discovered in 1946, Cuban popular music. Founded a rumba with which debuted at a restaurant in Paseo de la Reforma . The next 15 years, after passing through the Children's Choir Bombay, where extended his expertise in choral music, he formed different groups of fans of musical genres, such as the Mexican and Latin American folk and vernacular song, said in a separate interview published in this journal.

Ojeda, creator of dozens of albums, had a wonderful universe of music that everyone, especially the young, we passed. There are so many, I do not remember the names of those who learned. It was a totem for all musicians who Mexico we followed, the father of the young. How do you describe it, if this wonderful man had a hundred thousand sides, a hundred thousand faces? It is a hole in the popular culture of Mexico said Tehua singer.

Salvador Ojeda was born in Mexico City in 1931, but said adoption jarocho. He played guitar, piano, bass and drums. He highlighted to compose sones, corridos, boleros and huapangos. He was a researcher of Mexican popular music. With the installation in 1962, his cabaret Chez Black (board for emerging artists) was the cornerstone for the subsequent creation of the so-called clubs, forums focused on the new song, the social context and trova. At Chez Black presented from beginners to shine soon after to a greater or lesser extent as Gerardo Tamez, Nacho Méndez, Matilde, Janus Portillo, Berta Margarita Bauche and Cabal, to established professionals, including Lola Beltran, Chamin Correa, Michel Paco Domínguez and Milla.

It was there where he met René Villanueva and brothers Avila, with whom he founded the transcendental group The Folklore, which was musical director the following two years, during which we recorded three albums and performed countless tours, radio and television programs, said the artist.

David Haro pedagogy emphasizes organic The Black to their younger colleagues: "When I met gave me life in my death, because this man was something like they are in themselves same, but are living. An excellent performer, a guy who recreated the life of a song. He had that feeling. I learned many things and if it is talk talk a color that refers much to the rumba, the color of my rumba in this case. It was love, happy, always look on one side to another, carrying serenades. It was a compendium, a song of things even sui generis. do not know if I wanted and I loved to the core. He was an incomparable friend. "

Rafa Mendoza abounds:" No physical is a big hole because he was too skinny, but it's a shame that people die we want and we have marked. In the distance, when I met him I really learned a lot. I never taught a class, because you only hear you learned. How would our wanted Marcial (Alejandro) , "pa 'what more depth? "

solidarity time

Tehua adds:" In addition to great character, as a musician was extraordinary. There will be plenty of people who appreciate your great support, solidarity, confidence. When I arrived in Mexico I just sang the chuntata-chuntata and a dear friend told me, 'you sing nice but you have to learn to play better guitar. " I took my house and at that time I met Don Salvador Black Ojeda. Is my friend (we were both sponsors of Luz, daughter Marcial Alejandro and Maru Enríquez) .

Long solidarity in song, on stage. Is a gap, as we leave all but the great lesson that so many boys did, from rockers to soneros, from Veracruz, Oaxaca and to Cubans.

David Haro even he wrote a piece Gea, that, through the earpiece during the interview, he sang: Gea, skin copper / Gea is the sound of your heart / is the son sound of the Leeward / rich rumba rumba inside ...

A life should not be taken seriously, reiterated on several occasions Salvador Ojeda, who showed his rumba and his song at venues like the Palace of Fine Arts , forums, schools, plazas, festivals ... Was influenced by self-taught Cuban music. From his podium, dictatorships in Latin America and social changes and utopias were filling their baggage. Rather than concern about the social music, her interest in music in general.

never struck me was how many records you sell, how much wool I would win or how many would sign autographs, because I always felt the need to be free, said in these pages for an interview. Against commercial music had no complaint, but disliked the intentionally bad music. That was The Black, who admitted that his presence was always outside the media, commercial, and every singer considered social context.

My rule of thumb is never going to ask anyone gimmick, go where I am invited, with or without money, and thank you for giving me the opportunity to express, asserted the contestation of called star system, as defined by Paco Ignacio Taibo .

Note obituary La Jornada

cover Unfortunately not give more definition: the original background is dark brown and cream lyrics

Vale.

Dr. Luis Felipe Escarza

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Saturday, March 5, 2011

Blonde Half Head Of Highlights On Brown Hair

Salvador Ojeda Felipe Rodriguez and Davilita - Felipe and Davilita


Luis Felipe Rodriguez, known as Voice , born on May 8, 1926 and died on May 26, 1999 in Caguas, Puerto Rico. Excellent singer which gained much popularity in the 1950's.

Rodriguez was born in the town of Caguas, Puerto Rico. His father died before he was born and had a difficult childhood. In 1930 he moved with his mother to Barrio Obrero in Santurce, a district of San Juan. There, Rodriguez went to school and practiced his singing skills during their free time.

time later, Julito Rodríguez another bolero singer, heard him sing and invited him to form a duo. Later formed a trio called The Romanceros with whom participated in the amateur radio program Art Tribune .

In 1954, Rodriguez joined Davilita and formed the duo Rodríguez - Dávila , creator of hits like The white rose. Pedro Ortiz Dávila

Davilita , was born on May 21, 1912 and died on July 8, 1986 in Bayamon, Puerto Rico.

In Wikipedia is a semblance of it, which is in English only.

This material was provided by us Luis Diaz, who appreciate your participation.

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Monday, February 28, 2011

John Lennons Casino Strap

Tona la Negra - Compilation Part II



Tona la Negra
Compilation Part II: Continued

:

" Este Amor Salvaje "," Deny Because, " Obsession," "Yours Lies," "Y Sin Embargo Te Quiero," "Creole Night," "My Weigh ", "Vereda Tropical "," Nightly Un Amor, "" Tears Of Blood "," 're Wrong "," Woman to Woman, "" As Golondrinas "," Ten Years "and " Ashes" are some of the titles in over 75 LP's, some of them for the Seal Peerless. Tona

personal life was always a very quiet, away from bright lights and scandals, so little is known of his family, only he had three children with her first husband, whom she divorced in 1950.

then remarried with drummer Victor Ruiz Pazos . In recent years, with thousands of pounds, and some health ailments, had been semi-retired from the stage and recordings.

On December 16, 1982, the international cable gave the world the news that the singer had left jarocha forever, most likely with the "last laugh the cumbancha ."

The covers for both cases are purely referential and unpublished.

Literature:
http://wikipedia.enciclopedialibre.com/

Saturday, February 26, 2011

Covering Pvc Pipe For Pedistal Sink

Carlos Mejía Godoy and Those of Palacagüina - The Son our daily




Carlos Mejía Godoy , Nicaraguan songwriter who had important participation in the Sandinista National Liberation Front with his music always high social content. He is the son of Carlos Mejía Fajardo , popular musician, builder of marimbas and Maria Elsa Godoy school teacher and artisan bread.

Start out with " Alforja Campesina" in the sixties. And with the group "Los de Palacagüina " of Popular Sound Workshop Nicaragua, spent wide season Spain (where this album was recorded) and was an ambassador for the fight Nicaragua ; for their freedom by raising awareness and extending the popular songs Nicas by the former colonial getting three gold records.

During the Sandinista government, Carlos was cultural dynamic Nicaragua rojinegra.

Vale.
Dr. Luis Felipe Escarza .

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Ex Naval Vessels For Sale



Text on back:
have been many musical styles that have been booming in many areas, where the music takes in the romantic, to the fore. We refer in this case to BOLERO. The bolero is and has been a topic of greater audience and number of performers. Both in depth and for its commercialism all songs can be categorized as boleros, have always been chosen to hear and count them. The timeless bolero, for the romantic, sentimental, human is always present.

" THREE KINGS" now sing some of the most famous boleros. The highlights of this album all the songs, as every one of its kind, a cheerful than others, thus forming one of the most remarkable compendia BOLERO on topic. Are with you. "THREE KINGS ."

Contribution: Roger Antonio.
Collaboration: Juan Angel.

Los Tres Reyes: http://www.mediafire.com/ ? 5b44db5zr64qj5r

Wednesday, February 23, 2011

Pinnacle 150e Driver And Program

Los Tres Reyes Guadalupe Trigo.


G uadalupe Wheat (José Alfonso Ontiveros Carrillo) born June 28, 1941 in the city of Mérida, Yucatán. died on March 18, 1982 in a car accident on the road to Acapulco. His parents were Alfonso Ontiveros and Renee Carrillo. He was married to Viola Tapia (Viola Trigo).

lived in Yucatan of 1941 to 1947, in the Mexico City from 1967 to 1980, in the State of Morelos from 1980 to 1982 and in Madrid, Spain in 1976.

He attended law degree from the Autonomous University of Yucatan. Musical studies were made with the MSc. Juan Helguera Villa , in Yucatan and Mexico . He began his career as

composer in Mexico City and her career in Yucatan .

His first musical was "Look at Love," which was recorded only José José.

also a composer, Guadalupe Trigo was a singer and actor. His widow, Viola Wheat says Guadalupe was cheerful, friendly and nostalgic.

His musical work that caused him the greatest satisfaction was "My City" because foreign heard her sing with great nostalgia and the people who sang it did not know he was the author. He composed some works co-authored with Jaime Sabines Innocent Burgos, Eduardo Salas and Mario Arturo Ramos . The music that he liked to hear were the compositions of the great classics, popular Mexican authors, bossa nova and international folk.

In between trophies, diplomas, awards and honors he received in his career, mention the following: Trofeo El Heraldo 1972, Gold Tummy in Peru, 1972. Likewise, the recognitions in international festivals: New Wave Festival in Caracas, Venezuela, 1973; Seven Days Festival in Pueblo, Santo Domingo , 1974; Festival La Rabida in Huelva Andalusia, 1976; Festival Cervantino Guanajuato, Mexico ; Festival Freshwater Lima Peru, 1972.

Taken from the website: www.sacm.org.mx/archivos/biografias.asp?txtSocio=12679

Restoration of the covers: Koko Peru .

Guadalupe Trigo. Poor My Shirt: http://www.mediafire.com/?5f43gl8afjbzxd4

Monday, February 21, 2011

Digital Play Ground Movies For Sale

Olimpo Cárdenas and Julio Jaramillo - Duet Gold Unforgettable



Olimpo Cárdenas and Julio Jaramillo

Unforgettable Golden Duo: Olimpo Cardenas

Moreira,
born in 1919 in the center of Vinces Province of Los Rios in Ecuador. She started singing at eight years old, then made a break with art continuing to twenty years. It is said that ten years involved in children's music contest organized by radio stations in the cities of Guayaquil and Quito.

It constituted his first duets with the composers Carlos Rubira Infante and Gonzalo Moncayo. In 1946 he recorded with Rubira Infante the aisle in the distant "becoming the first album produced by the Phonographic Industry Ecuatoriana SA

Olimpo Cardenas, introduced his popular repertoire in several American countries (Colombia, Venezuela, Mexico and USA) , opening the way for other artists Ecuadorians.

With the singer Julio Jaramillo Laurido , formed a popular duo and recorded with him six LPs (LP) and a total of 57 in his career. He died in Tulua - Colombia on July 28, 1991 at the age of 72 years.

Julio Alfredo Jaramillo Laurido (Guayaquil, Ecuador, October 1, 1935 - Guayaquil, February 9, 1978) is considered one of the most privileged and beloved voices in Latin America.
Julio Jaramillo, who is known as 'The Nightingale of America ", was born on October 1, 1935 in a small apartment in Gómez Rendón and Villavicencio in the city of Guayaquil. His parents, Pichinchanos Machachi population, Guayas had migrated in search of better opportunities. They worked in a shoe when he began his bohemian lifestyle. He had the gift of singing to love like no else did in Ecuador, and perhaps in Latin America. It was highly acclaimed in Venezuela and Colombia.

For those wonderful things that we are often surprised at the destination, wanted to put together these two great performers, joining their voices romantic - very similar in style and timbre - to let ourselves be captured in this special compilation, 24 anthology themes that we have entitled "Golden Duo Unforgettable."

worth mentioning that the full reviews of the two artists have already been presented in the individual publications of both singers in this blog. The covers are purely referential and unpublished. Koko

of Peru

Saturday, February 19, 2011

Hot Cheetos Affects Health

Tona la Negra - Compilation Part I



Tona the Black
Compilation Part I:

María Antonia del Carmen Peregrino Alvarez
, was born in Veracruz - Mexico, October 17, 1912. Influenced by his older brother since age 8 he began to sing anywhere, at parties, contests, bazaars. Singing sometimes alone and sometimes in duet with a girl named Celia Pacheco . At 17 years and was married to William Cházaro Ahumada, who took her to Mexico with her first child just 40 days old.

On July 16, 1929 debuted at the cabaret "El Retiro " and doing time in that place, where he was known as "The Pilgrim ", knew Don Emilio Azcarraga who went along with Enrique Contel , who named it " Tona la Negra."

then appears in his life Agustín Lara, who began to produce for her songs like "Veracruz "" Creole Night, "" Prayer Caribbean, "" Palmera "," Blue Secrets "and" The Cumbancha "which appeared together in a musical at the Theatre Hope in December 1932, with such success that should extend their presentations for a long time.

Azcárraga joined the cast of the station XEW, where there was sometimes accompanied by Agustín Lara and others by the orchestra Alfredo Girón . Shortly after beginning their lavish presentations at the Teatro Politeama, off the Vizcaínas and beside the street San Juan de Letran. His recordings for RCA Victor Seal is one of the most beautiful musical legacy in the history of the bolero and many of these pieces reach invaluable for historians and collectors not only by the accumulation of experiences that recreate the Mexico that was and not return, but by the particular circumstances of each person.

This short review will continue with the publication of Tona la Negra - Compilation Part II (Each part consists of 26 songs.) The covers for both cases are purely referential and unpublished.

Literature: http://wikipedia.enciclopedialibre.com/

Koko

Wednesday, February 16, 2011

Customer Care Lic Money Plus 180

No ACTA - My presentation at the public hearing, 02-2011 senado16

is an honor to appear before this committee and bring to you in my experience and above all common sense that I may have, concepts to assist them to visualize that ACT is not a treaty convenient for Mexico.

The scope and coverage of the risks of this treaty, the lack of network contention scope, the almost certain failure of its pragmatic application and the significant risks and collateral damage to so many basic freedoms are hard to start . ACTA

affects such critical elements that should not be left to chance or a poor and perhaps malicious as the drafting of the treaty, such as basic human rights: No constitution in the world that does not cover the right to freedom both of conscience and of expression, privacy, and property and must take care above all the prevalence of these rights for its citizens by any international treaty.

For over 30 years I have lived immersed in the technology industry, I am a software developer, small businessman, father and Mexican: ACTA affects each of these areas as affect the basic rights of my fellow citizens.

Let me make clear that I believe in intellectual property, I believe that a work should enjoy legal protection and its author to be properly paid, but never at the cost of basic freedoms.

Consider, then, some aspects. pray you have a copy of ACT on hand to avoid wasting my precious minutes repeating verbatim what has been written.


1. Convenience for Mexico of the treaty.

The first question we should ask is "Does it benefit the ACT to Mexico?". Let soon, in relation to patents and trademarks Mexico's role with potential partners:

9.43% 0.14 1,396,645 Morocco 1.046

Country or Organization

Trademark Applications for 2009

Trademarks 1899-2009

Patents granted 1995-2009



Quantity

Percentage

Quantity

Percentage

Quantity

Percent


Australia

16.996

0.96

1,257,049

3.11%

48261

0.63%


Canada

13.082

0.74

1,140,265

2.82%

94208

1.24%


EU

1,144,064

64.73

18,951,633

46.83%

1835572

24.07%


Japan

45.847

2.59

7,808,193

19.30%

2906878

38.12%


Korea

141.657

8.1

2,263,209

5.59%

719500


Mexico

2.457

3.45%

3866

0.05%


0.06

130.765

0.32%

156

0.00%


New Zealand

15.146

0.86

499.993

1.24%

11742

0.15%


Singapore

10.815

0.61

383.898

0.95%

8227

0.11%


USA

376.388

21:29

6,633,526

16.39%

1997774

26.20%


Total

1,767,498

100.00

40,465,176

100.00%

7626184

100.00%


Table 1. Historical Patent and Trademark ACTA partners.

Source: website of the international intellectual property http://www.wipo.int

Mexico only accounts for 0.14% of trademark applications in 2009 and 0.05% of patents in 14 years. Frankly, it hurts.

are public data, you can download the same site of WIPO. Spreadsheet, so that soon can evaluate the performance of Mexico historically in terms of intellectual property.

From the table above we can deduce that although ACT were to protect the creators Mexican agreement would be a completely asymmetrical. The effort required Mexico to protect the interests of their members in connection to these, is 70 to 1 in 2000, registered trademarks and one patent in the case. There is no cost-benefit ratio even remotely fair go: even reasonably comparable. This, by itself, Shall be sufficient to reject it.

The huge imbalance between production and consumption of intellectual property gives the flavor that ACTA will be the police again in the backyard of our business partners. Hopefully

IMPI was so diligent in promoting from within the culture of intellectual property as it has in the negotiation of ACTA frumpy.

2. Legal privileges to foreigners compared to nationals.

know that in public, between you and your advisers, legal experts will surely be able to clarify and expand what is fast mention in this section:

Mexico has a wide and strong legislation regarding intellectual property, both the Federal Copyright Law as Federal Industrial Property are there. The crimes related to intellectual property are defined in the Federal Penal Code; however, ACTA extraordinary claim, with some truly frightening and terribly articles poorly written legal ambiguities left-with a performance that greatly favors the alleged victim. By itself, the wording of the treaty ought to be cause for rejection.

harmonize all the laws that would be involved in the acceptance of ACT would be a legislative nightmare, both for the camera to which you belong and to the deputies. Consider the cost of regulation as a cause for rejecting the treaty.

Some sample buttons:

a) piracy Mention the word a dozen times. Never defined in legal terms. In other words can be what partners they please, including ships, swords and parrots, or the colloquial expression for illicit trade in intellectual property.

b) In Article 8 calls for the possibility of " ... Issue a warrant for the part ... or a third party ... to prevent infringing goods from entering commercial channels "leaving ambiguity who are third, more serious still, is delegated the prevention of crime in the and unnamed" others. " The victim and police did what our authorities then? We hire a better police service including intellectual property and stop acting on impunity, would be cheaper.

c) Article 9, paragraph 1: " ... To determine the amount of damage ... its judicial authorities have the authority to consider any legitimate action ... value by the rights holder ... ". The victim emerged as judge imposes the sentence, although the penal code and specify.

redundaré No more. Safely in their own analysis will find more holes is drafting a zebra stripes. And the treaties and laws should not allow those holes. At least not many.

3. ACTA ratifying put obstacles to the domestic industry.

Article 12 is fabulously dangerous to individuals and too ambiguous.

There is no simple procedure to prevent the abuse of a network, particularly wireless. Whether illegal access in itself constitutes a crime, stop on a home network or a small business is no trivial task for the user, and costs for organizations. The ease of committing the crime of using a network outside a priori impossible to determine if the offender is a legitimate network user or a malicious third party. Add the task is not free to monitor internet use of every person who has legitimate access to the network (including minors) and have the inability to identify a suspect, a priori, as claimed by ACTA.

And all this has a cost for someone to cover. Consider whom: For Internet Will assume the end user, the company providing the service, the federal government? Certainly not the members directly, but every Mexican who has internet access.

From the above, ACTA aims to seize the home computer, industry or institution, unheard altera parte, through an intermediary, in an expeditious manner, without the certainty that the end user is the originator of the discharge. And but in the end they were compensated, and criminals should go without the basic principle of presumption of innocence attacking the universal declaration Human Rights, Article 11, paragraph 1.

4. Rescued more industries, in this case foreign.

do not doubt that the entertainment industry suffers from "piracy." Although there responsibility of the "pirate", not to do aside the responsibility of producers and distributors that keep prices artificial oligopolistic products are inaccessible to large segments, coupled with dogged resignation to the adoption of new technologies such as Internet distribution, lowering costs, that could provide the material wider sections at more affordable prices. Instead, they have consistently fought digital distribution process and only the success of companies like iTunes began to motivate the change: little, too late. In its neglect, many companies have defrauded their creators and performers as well as these "pirates" and now hope to recover not a market but a property because his disability and ambition blinded them cope with change.

I do not see why Mexicans have to pay for their failed business model. Unsubsidized shortcomings of others, as even subsidize local.

In the software industry, companies like Microsoft schemes have continued to update unnecessary, making subsequent incompatible versions of their products. I personally have taken years, a lot of money and work to simply keep my license and daily updates. Consider prices update, apply it to typical Mexican income and without any justification "piracy" consider whether de facto monopolies or oligopolies really give a "fair price" always.

Almost all software has the means to notify both the holder and the infringer to copy is illegal. They disable the product, to avail themselves of regular legal channels, but do not ask my country do the work that lies with them.

5. Let the work of the lawyers for the corporations. Did

companies and countries rich in trademarks, patents and copyright are not legal advisers, local representatives or embassies to represent them before a local court?

The laws are there for all domestic and foreign. No changes required. Required, like many others, be properly applied. Any person or entity to have any at hand right laws and accessible courts then why large companies favor subsidizing its own right?

Conclusion.

have before you an extremely asymmetrical treaty, costly, which violates constitutional and human rights, maliciously worded to protect the partners rather than to Mexico, legislative and judicial burden borne by the country to subsidize primarily to large enterprises very few foreign and Mexican. There must be ratified by a legislative body responsible for their work and believe in your country. If they act in the interest of Mexico, ACTA Shall not even reach the full Senate for ratification because of the tremendous legal untidiness and the undeniable disadvantages presented

And although knock on your door lobbyists, Mexico and the Internet are watching. Internet and memory lasts beyond the duration of legislatures.

Most