Tona the Black
Compilation Part I:
María Antonia del Carmen Peregrino Alvarez , was born in Veracruz - Mexico, October 17, 1912. Influenced by his older brother since age 8 he began to sing anywhere, at parties, contests, bazaars. Singing sometimes alone and sometimes in duet with a girl named Celia Pacheco . At 17 years and was married to William Cházaro Ahumada, who took her to Mexico with her first child just 40 days old.
On July 16, 1929 debuted at the cabaret "El Retiro " and doing time in that place, where he was known as "The Pilgrim ", knew Don Emilio Azcarraga who went along with Enrique Contel , who named it " Tona la Negra."
then appears in his life Agustín Lara, who began to produce for her songs like "Veracruz "" Creole Night, "" Prayer Caribbean, "" Palmera "," Blue Secrets "and" The Cumbancha "which appeared together in a musical at the Theatre Hope in December 1932, with such success that should extend their presentations for a long time.
Azcárraga joined the cast of the station XEW, where there was sometimes accompanied by Agustín Lara and others by the orchestra Alfredo Girón . Shortly after beginning their lavish presentations at the Teatro Politeama, off the Vizcaínas and beside the street San Juan de Letran. His recordings for RCA Victor Seal is one of the most beautiful musical legacy in the history of the bolero and many of these pieces reach invaluable for historians and collectors not only by the accumulation of experiences that recreate the Mexico that was and not return, but by the particular circumstances of each person.
This short review will continue with the publication of Tona la Negra - Compilation Part II (Each part consists of 26 songs.) The covers for both cases are purely referential and unpublished.
Literature: http://wikipedia.enciclopedialibre.com/
Compilation Part I:
María Antonia del Carmen Peregrino Alvarez , was born in Veracruz - Mexico, October 17, 1912. Influenced by his older brother since age 8 he began to sing anywhere, at parties, contests, bazaars. Singing sometimes alone and sometimes in duet with a girl named Celia Pacheco . At 17 years and was married to William Cházaro Ahumada, who took her to Mexico with her first child just 40 days old.
On July 16, 1929 debuted at the cabaret "El Retiro " and doing time in that place, where he was known as "The Pilgrim ", knew Don Emilio Azcarraga who went along with Enrique Contel , who named it " Tona la Negra."
then appears in his life Agustín Lara, who began to produce for her songs like "Veracruz "" Creole Night, "" Prayer Caribbean, "" Palmera "," Blue Secrets "and" The Cumbancha "which appeared together in a musical at the Theatre Hope in December 1932, with such success that should extend their presentations for a long time.
Azcárraga joined the cast of the station XEW, where there was sometimes accompanied by Agustín Lara and others by the orchestra Alfredo Girón . Shortly after beginning their lavish presentations at the Teatro Politeama, off the Vizcaínas and beside the street San Juan de Letran. His recordings for RCA Victor Seal is one of the most beautiful musical legacy in the history of the bolero and many of these pieces reach invaluable for historians and collectors not only by the accumulation of experiences that recreate the Mexico that was and not return, but by the particular circumstances of each person.
This short review will continue with the publication of Tona la Negra - Compilation Part II (Each part consists of 26 songs.) The covers for both cases are purely referential and unpublished.
Literature: http://wikipedia.enciclopedialibre.com/
Koko
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